Browse Tag by I love you Donna Tartt
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Review: The Goldfinch by Donna Tartt

Every decade or so, Donna Tartt reemerges from her reclusive writerly life to publish a new book, at which time her readers crawl back out from under the spines of other novels, ready to accept the magnificent volume into our lives and libraries. I don’t keep it a secret that Donna Tartt’s The Secret History is my favourite book (along with Daniel Handler’s The Basic Eight, which is in the same vein, really: pretentious teenagers, witty writing, murder), so I was eager to see if Tartt’s new book could compare. Spoiler alert: it does. The Goldfinch returns with Tartt’s signature combination of unforgettable characters and gorgeous prose.The_goldfinch_by_donna_tart

I was fortunate to attend Tartt’s reading at the Toronto Reference Library last November, and since I thought I would never, ever get the opportunity to see her in person or get a book signed, I was thrilled. Like, really thrilled. Cross-it-off-the-bucket-list thrilled. At the reading, I was pleasantly surprised to discover that Tartt is less severe than her author photos and reclusiveness might suggest: she warmly answered questions from both the interviewer (Jared Bland, who was wonderful as always) and fans (only appearing weary at one questioner’s insistence that she name her top four books. They were, for the record: Lolita, Bleak House, Jekyll & Hyde and The Great Gatsby). Dream fulfilled, I settled down to finish the novel.

At nearly eight hundred pages, The Goldfinch was certainly worth the eleven-year wait since The Little Friend. The story is told by Theo Decker, who as a young boy survives a bombing in the Metropolitan Museum of Art. The explosion kills his mother and creates a bond between Theo and a dying old man, who encourages him to take the titular Goldfinch painting. For reasons he can’t explain, Theo doesn’t return the painting, but keeps it secretly with him when his his previously absent, alcoholic father turns up to whisk him off to Las Vegas for a life of artificial domesticity, complete with McMansion, dog and new stepmother. In Vegas, Theo befriends Boris, another abandoned son, and the pair search for meaning in the desolate desert landscape, and increasingly in petty theft, drugs, and alcohol. Theo later returns to New York (with painting hidden in his suitcase) and grows up under the care of Hobie, a delightfully absent-minded antiques restorer. Theo remains haunted by his past, his parents, his painting, until Boris shows up to turn Theo’s life upside down, again. The Goldfinch is a sort of Tell-Tale Heart story, with Theo slowly being driven mad by his act of theft – obsessively checking on the painting, compulsively tracking the news for hints that the authorities might be on to him, and gazing on it in a my-precious sort of way.

The Goldfinch questions the difference between life and art by consuming Theo’s life with paintings, museums, and antiques, but seems to suggest that what both have in common is not love, or passion, but artifice. The novel’s  character-like settings (art-obsessed New York City, the spectral suburbs of “Lost Vegas,” and feverish Amsterdam) mirror the important people in Theo’s life (shallow Kitsey, his delinquent father, and the unattainable Pippa), and highlight his loneliness. Perhaps only Boris escapes accusations of artifice: hot-tempered, drunk, and charming, he embodies the chaotic life that Theo is thrown into, but simultaneously manages to ground him and provide freedom. As usual with Tartt’s male protagonists, Theo is a wonderfully deceptive narrator, and Tartt manages to surprise the reader again and again with her skillful plotting. With its beautiful writing and engaging story, The Goldfinch is my favourite book of 2013.

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8 New Books I’m Excited About This Fall

For me, autumn is usually a time of new school books and an increased reading load. This fall, however, marks the first year I’m not in class, and so to celebrate, I plan to use some of my free time to read for pleasure. Luckily, it seems like all my favourite authors are putting out new books this season. Some of them are out already, and some of them I’ve been waiting for for years. Here’s what’s on my to-buy to-read to-love list, in no particular order:

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1. Longbourn by Jo Baker (Random House; published October 8, 2013)

I actually just finished reading this one, and it was wonderful. Longbourn a below-stairs reimagining of Pride and Prejudice, featuring our favourite Bennets and new characters with mysterious pasts and secret ambitions. Baker creates a more complex household than seen in Austen’s work; if you like Downton Abbey, you will enjoy this novel!

 

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2. Hyperbole and a Half by Allie Brosh (Simon & Schuster; published October 29, 2013)

It’s no secret that Hyperbole and a Half is my favourite blog. One part webcomic, one part hilarious stories, Allie Brosh illustrates the weird and embarrassing things and relatable episodes that happen to her (must-read: This is Why I’ll Never Be an Adult). Her posts about depression are honest and accessible. I’ve been excited about this book since Allie first announced it, and don’t expect to be disappointed. Hyperbole and a Half is a mix of posts that appeared on her blog and new content. Counting down the days!

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3. The Luminaries by Eleanor Catton (Random House; published August 28, 2013)

This one is on my shelf, waiting to be read. A historical novel set in New Zealand, it follows a man trying to solve a number of mysterious crimes. The cover is my favourite of the season. The Luminaries has been shortlisted for the 2013 Man Booker Prize. Read it before it wins!

 

 

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4. Not Quite the Classics by Colin Mochrie (Penguin; published October 22, 2013)

I grew up watching Colin Mochrie’s comedy on TV, so when I found out he was publishing a collection of short stories, I was intrigued. In Not Quite the Classics, Mochrie takes the first and last lines of famous stories, including Dickens, Sherlock Holmes and, I’ve heard, a cameo by Doctor Who, and improvises a new and twisted middle. I’m curious to see whether his written comedy matches his wit on television.

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5. Night Film by Marisha Pessl (Random House; published August 20, 2013)

Marisha Pessl’s first novel, Special Topics in Calamity Physics (2006), was, for me, a book with a great first half and a dissatisfying ending. Despite this, I’m eager to read Pessl’s new book, a thriller about a mysterious (dead) cult filmmaker and his mysterious (dead) daughter, and the enigma that surrounds them. Postmodern and noir, Night Film contains website screenshots, news clippings and other pieces of “evidence” that propel the story. Reviews are mixed so far, but I’m hoping that it doesn’t disappoint.

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6. Allegiant by Veronica Roth (HarperCollins; published October 22, 2013)

Do I even need to say why I’m excited about this one? It’s the final book in the Divergent trilogy, and I love dystopian YA. In Allegiant, Tris ventures outside the fence with Tobias to try to discover a more peaceful life. This book is told from both Tris and Tobias’s perspective and I’m interested to find out how that affects the reader’s view of Tris and her society. Looking forward to the conclusion of this series!

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7. When Did You See Her Last? by Lemony Snicket (Little, Brown; published October 15, 2013)

My long-standing love affair with Lemony Snicket’s books (and alter ego Daniel Handler’s) extends to his new noir-style series All The Wrong Questions, of which When Did You See Her Last? is the second installment. Following a young Lemony Snicket through his V.F.D. neophyte training, this book finds Lemony searching for the missing Cleo Knight and the runaway Ellington Feint. Full of the usual incompetent adults, mysterious organizations and witty turns of phrase, When Did You See Her Last? promises to be a funny and satisfying read. Read the first two chapters here.

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8. The Goldfinch by Donna Tartt (Little, Brown; published October 22, 2013)

Donna Tartt publishes one book per decade, so everyone is very excited about The Goldfinch, her first novel since 2002. Her first book, The Secret History, was a massive bestseller and is my actual favourite book (and, as I’m sure you know, it’s hard for a book person to choose). Like all of her novels, The Goldfinch centres around death: this time, a young boy’s mother dies and he attempts to avoid being taken into a New York orphanage; he soon becomes obsessed with a mysterious painting. I’m trying to keep my expectations realistic, but I can’t wait to read Tartt’s beautiful, gothic prose again.

Let me know what you’re looking forward to reading this fall!